Hercules was frequently associated with the Dutch in their rebellion against Spain, and one interpretation of his odd appearance is that he was meant as an embodiment of the Dutch nation. Cornell University Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. ); Plate: 41.5 30 cm (16 3/8 11 13/16 in. Their position helps to convey the scale and physicality of the sculpture, and their attentive viewing highlights its importance. The rediscovered statue quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Pope Paul III. The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. For more information, call (607) 2556464 or send an e-mail to museum@cornell.edu, Visit our Facebook page Broken headless torso from the Amphiareion of Oropos. HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, circa 1592, on laid paper, with an indistinct Fleur-de-Lys watermark, a fine, early impression, with wide margins, in very good condition, framed Plate 416 x 300 mm., Sheet 498 x 366 mm. (42.1 x 30.4 cm) Type: Print; . Kim & Kris! Past, Students (42.1 x 30.4 cm), Classification:
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He trained a number of engravers to work in his style and a large part of their production was centered around prints after the masters designs and in his distinctive engraving style, for example, The Fall of Phaeton (1992.376;49.97.662). Initiatives.
The Farnese Hercules, ca 1592. https://www.metmuseum.org/art/collection/search/343588. Planned Giving The sculpture has been reassembled and restored by degrees. Visit our Instagram page, University Privacy Born in Germany near the border of the Netherlands, Goltzius was burned in a fire as a child, an accident that permanently damaged his right hand. Hendrik Goltzius. Nadine Orenstein The first was a copy of the Farnese Hercules, nearly the monumental size of the original. The heroically-scaled Hercules is one of the most famous sculptures of antiquity,[4] and has fixed the image of the mythic hero in the European imagination. The Johnson Museum actively contributes to the intellectual life of our campus and community. The publication in 1961 of E. Reznicek's catalogue rai-sonn of Goltzius's drawings, and an article by H. Miedema in 1969, established a theory on the . 11079
Save the artwork in any of your exhibitions or create a new one. In the picture he has included the portrait of two (presumably) travelling companions who are looping up at the statue of Hercules in awe. North America South America. [5] Goethe, in his Italian Journey, recounts his differing impressions upon seeing the Hercules with each set of legs, however, marvelling at the clear superiority of the original ones. Goltzius' fame was such that when he went to Italy in 1590, he travelled incognito to avoid admirers. Africa Our website uses cookies. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. The original legs, from the Borghese collection, were not reunited with the sculpture until 1787. F and inscribed in ancient Greek bronze 34.5cm., 13in. The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Initiatives, Membership Among the ancient sculptures that Goltzius studied in Rome was the Farnese Hercules, which Goltzius treated unorthodoxly from the rear to give full play to his mastery of swelling engraved lines to define and enhance the titanic back. ca. Seley created the sculpture in 1981 out of chrome automobile bumpers. St. Jerome Reading in an Italian Landscape, The Circumcision (Life of the Virgin Series), Landscape with Trees and Distant View of a City, Museum Purchase made possible by the Friends of the Museum of Art, W17, Gross - MOVESCI 230 -Musculoskeletal Anatomy, Northern Renaissance and Reformation-Era Art, PAST: Works selected for the course AAS 208 / HISTART 208Introduction to African Art: 100 African Objects. The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Scroll left to view more. (), 2018-2021 Regents of the University of Michigan |. This Hercules is almost an inflated version of the lithe Apollo of a year earlier (51.501.3). Teachers The sharply defined quality of line engraving is produced with a tool called a burin, which consists of a steel rod with a sharpened point and bevelled edge. A copy of the sculpture is among the ten statues adorning the front yard of the Schlossgarten in Karlsruhe, Germany. The sharply defined quality of line engraving is produced with a tool called a burin, which consists of a steel rod with a sharpened point and bevelled edge. Goltziuss particular fascination for this Antique work of art finds expression in the unusually low vantage point and in the admiring gazes of the two viewers, these most likely being the artist himself and his son-in-law Jacob Matham. It forms a series with two other engravings of the Apollo Belvedere and the Emperor Commodus as Hercules. x 11 15/16 in .) Membership Hendrick Goltzius (15581617). In Heilbrunn Timeline of Art History. Kids, Teachers 70, Hercules FarneseDrie antieke beelden te Rome (series title). Leaning on his gnarled club, which is draped in the skin of the Nemean lion, he holds the golden apples stolen from the Hesperides, hiding them behind his back, in his right hand. Explore the Collections contains over a million catalogue records, and over half a million images. Read our cookie policy. Color code: #DDD8D0 Color code: #BEB8B0 Color code: #F6F4F0 Color code: #918A84 Color code: #68615B Color code: #403C37. Signup or Login known: the Farnese Hercules , the Commodus Imperator and the Apollo Belvedere .6 Until the second half of this century Goltzius's stud-ies after the antique received little scholarly attention. All rights reserved. Goltzius, Hendrik (engraver (printmaker)). It is a working database that includes information compiled over the life of the museum. You will receive mail with link to set new password. In Rome, he appears to have wanted to create a series of engravings of famous works of art like his Farnese Hercules (17.37.59), in particular classical statues, based on new and reliable drawings made on the spot; in this case, the Farnese Hercules (back view) in red chalk, and the Farnese Hercules (back view) in black and white chalk (both in the collection of the Teylers Museum, Haarlem). Hendrick Goltzius, The Farnese Hercules, c. 1592-1617, engraving on laid paper, 42.4 x 30.8 cm; plate: 41.6 x 30 cm, National Gallery of Canada. Asia and Pacific He also created extraordinary colored chalk portraits of contemporary artists such as Pietro Francavilla (Rijksmuseum, Amsterdam). One of the most important engravers and print publishers of his time, he is most widely known today for the Mannerist engravings that he and his workshop produced during the period between 1585 and 1589. The prominently sited statue was well liked by the Ancient Romans, and copies have been found in Roman palaces and gymnasiums: another, coarser copy stood in the courtyard of Palazzo Farnese; one with the feigned (but probably ancient) inscription "Lykippos" has stood in the court of Palazzo Pitti, Florence, since the sixteenth century. His versatility, passion for experimentation, and love of showmanship are fully revealed in his late drawings and prints. Goltzius (1558-1617), was a German-born Dutch printmaker, draftsman, and painter. Goltzius was internationally acclaimed in his day; his enthusiastic patrons included sovereigns from all parts of Europe, most notably the art-loving Holy Roman Emperor Rudolf II. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. While published . Exhibition catalogue.
Hendrick Goltzius (15581617), engraver, print publisher, draftsman, and painter, was one of the outstanding figures in Dutch art during the late sixteenth and early seventeenth centuries. In 159091, during his trip to Rome, Hendrik Goltzius sketched the statue in the palazzo courtyard. Title: Farnese Hercules; Creator: Hendrick Goltzius; Date Created: ca. Hendrick Goltzius Title The Farnesian Hercules, plate one from Three Famous Antique Sculptures Place Netherlands (Artist's nationality) Date 1587-1597 Medium Engraving on paper Dimensions Image: 39.8 29.3 cm (15 11/16 11 9/16 in. The Museum The Farnese Hercules (Italian: Ercole Farnese) is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. 1592 (engraved) The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. Ancient copies of the statue include: After rediscovery of the Farnese Hercules, copies appeared in sixteenth and eighteenth-century gardens throughout Europe. Free events for everyone, plus special programs for students, families, and more! To license this image or for more information please contact our Licensing team. 1592, dated 1617 Medium: Engraving Dimensions: sheet: 16 9/16 x 11 15/16 in. Like his illustrious predecessors Albrecht Drer and Lucas van Leyden, Goltzius expressed his artistic ambitions in scenes from the Bible, but he also illustrated episodes from classical mythology, often choosing erotic subjects. The Met's collection of drawings and printsone of the most comprehensive and distinguished of its kind in the worldbegan with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880. South America, On View search [6] Napoleon remarked to Antonio Canova that its omission from the museum he accumulated in Paris was the most important gap in the collection. The statue is shown in the 1954 film Journey to Italy along with the Farnese Bull. The National Gallery of Canada is home to one of the finest collections of Indigenous and Canadian art in the world, and is dedicated to amplifying voices through art. Een groot beeld van Hercules, op de rug gezien, leunend op zijn knots. The WOW Report for Radio Andy! Public domain data for this object can also be accessed using the Met's Open Access API. The Farnese Hercules is a massive marble statue, following a lost original that was cast in bronze through a method called lost wax casting. Hendrick Goltzius . The page you're looking for doesn't want to be found. Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem), Date:
Visit Twitter page Oops. Upon his return from Italy, Goltzius concentrated on engraving a smaller number of showpieces. Contact us here. Asia and Pacific Hercules Farnese Remembering Acting Great, John Gielgud on His 119th Birthday. Later (in 1591) Goltzius recorded the less-common rear view, in a bravura engraving (illustration, right), which emphasizes the already exaggerated muscular form with swelling and tapering lines that flow over the contours. Check here for current hours and more. The sculpture was admired from the start, reservations about its exaggerated musculature only surfacing in the later eighteenth century. Reset it, Dont have an account yet? Orenstein, Nadine. 1592 Engraving 16 1/4 x 11 5/8 in. The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos (41.72[2.63]) that provides the more common front view of the Hercules. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. sheet: 16 9/16 x 11 15/16 in. The artifice of Sprangers Mannerist figure style appears for instance in Apollo (51.501.3). Statue of the Roman hero formerly in the Baths of Caracalla, then owned by Paul III. The Farnese statue was moved to Naples in 1787 with most of the Farnese Collection and is now displayed in the Museo Archeologico Nazionale there. His superb engravings were much sought-after in the young Dutch Republic and further afield. In 1600, at the age of forty-two, Goltzius gave up printmaking and began to paint. Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}405112N 141502E / 40.8534N 14.2505E / 40.8534; 14.2505. The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. Reset it, Already have an account? The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. A small Roman marble copy can be seen over the Museum of the Ancient Agora, Athens (see illustration). Visit our YouTube page Wong & Yeun! "Iconic sculpture Herakles returns to plinth, thanks to gift", "Hercules in White: Classical Reception, Art and Myth", Hercules separating the mounts Calpe And Abyla, Lat uns sorgen, lat uns wachen, BWV 213, Hercules and Xena The Animated Movie: The Battle for Mount Olympus, Fire Monsters Against the Son of Hercules, https://en.wikipedia.org/w/index.php?title=Farnese_Hercules&oldid=1144633431, Collections of the National Archaeological Museum, Naples, Roman copies of 4th-century BC Greek sculptures, Short description is different from Wikidata, Pages using infobox artwork with the material parameter, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License 3.0, The Weary Herakles is a heavily broken Roman marble statue that was excavated in 1980 in. Ithaca, NY 14853, Admission is free. All rights reserved. Visit ); Sheet: 45 33.4 cm (17 3/4 13 3/16 in.) We are committed to addressing these issues, and to review and update our records accordingly. 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